So in this year and a half since I started reading comics, I've amassed quite a collection. I generally go for strong female characters, which is cool, as it is receiving more focus these days. I tried reading some of the recently-released female superheros, like A-Force, DC Bombshells, The Mighty Thor. But whether it's my lack of familiarity with the characters in their past comics, lack of depth (A-Force has too many characters and not enough real connection), or just disinterest, I'm not really into those. I'm glad they exist though and am sure they fit the bill for some people. (Full disclosure: I read 4 issues of A-Force, 2 of DC Bombshells and 1 of The Mighty Thor although I may re-read it again or read another issue to just give it another chance before I write it off.)
Other comics I'm really enjoying in no particular order: Shutter, Rat Queens, Effigy, The Tithe, Saga, Fallen Angel (I own 1-14, have read 1-6 and have a lot of catching up to do. I want to know when a movie/tv show will be made about HER! Or when they create more comics about her.) Deadly Class (a lot of text to read at times), Coffin Hill, Axe Cop, Prez (like Idiocracy in comic book form), Superbia, The Woods, No Mercy, Gotham Academy (see I can read superhero stuff!), Giant Days + others. (Daytripper was my first ever comic) (Ten Grand was good, but I think it's done?)
Additional comics I've given up on that I currently have to sell: (above-mentioned A-Force and DC Bombshells), Big Thunder Mountain Railroad #1-5 (complete run I think), Graveyard Shift#1-4, Lola XOXO (already sold back), East West (already sold back), The Zoohunters #1-3, October Faction #1-9, Wolf #1-3, Americatown #1-3. Hit me up if you want to purchase any of those.
Also, if you have any suggestions, based on what I read, feel free to leave me comments!
HEAVIER STUFF (Ethnicity/Sexuality of Characters, Writers, and Personal Opinions):
Over a year ago, I sent a picture of Legend of Bold Riley to someone I knew because I thought she'd enjoy it. Why? It's about a queer, "woman of color" aka non-white woman. It takes place in a fantasy version of India/Asia. The person to whom I sent it, is Southeast Asian and genderqueer (I'm not sure I'm using her preferred labels, but you can see why I thought she would be interested). Well, "Reader X" as I'll refer to her, never responded. Instead she posted a blog on a well known "feminist of color" site (which wasn't open to comments), referred to me as a "well-intentioned friend", and shared her thoughts (based on her own life experiences, research, and opinions). She said she researched the writer and the comic and was offended by the whiteness/ethnic drag of it all. She talked about history of subjugation of cultures, cultural appropriation, white privilege etc. And THEN after her blog entry went live, she posted it and I read it, THEN she sent me the link and told me she wanted to know SHE wasn't mad at ME.
But yet she didn't think that maybe I would be upset. We haven't conversed online in over a year. I was pretty mad after reading that. I conversed with another friend who knows her (who is also "non-white" if you really want to know) and she saw my points.
My points: For one thing, it's a fantasy world loosely based on India and surrounding areas. Do you see people jumping down Tolkein's throat at his inaccuracy of the long-ago Europe(?) when he created Middle Earth? No. Because it's a fantasy and there is something called creativity involved: shaping a new world out of worlds we know and worlds we may want to know. Artistic license. It's true that in Bold Riley's world, homosexuality isn't as punished as in real-world India. It's true that in Bold Riley's world, she has TONS more freedom than do women in India and surrounding areas. This comic is a fantasy. It takes good and bad about cultures and humans and puts them in a dramatic story. I've read two more issues of Bold Riley, and maybe Reader X would be offended at the portrayal of what I can only assume is fake Africa/Middle East? Oh well. After re-reading it this morning, I'm more offended at the stiff way the characters refer to each other and the expository dialogue.
Most importantly, what rubbed ME the wrong way in Reader X's blog entry, was being told that as a white, straight woman I can't write about non-white, queer people/women which I find restrictive and racist. The author of that comic could have been me. For I, like Reader X insinuated about Bold Riley's author, am a white woman, "first-world" "privileged" traveler who was able to get a skewed glimpse at India. (I went for the wedding of two Indian friends and was asked to perform a song and dance [song was American, the dance I choreographed to an Indian song (suggested by another Indian) to rave reviews - which yes I know are partially due to my 'whiteness']; Reader X even had me and other non-Asian people dance to a Bollywood song at an Indian event at our University (I had already graduated but was thrilled to perform with the group). So am I allowed to do 'non-white' things ONLY when invited by non-white people? :P
As a person who benefits from "white privilege," I hate being reduced to my skin color and told what I'm allowed to do or not do. Gee, sounds familiar doesn't it?
- I understand that when I wore Indian-inspired tunic tops to work, it looked cute/trendy on me and made my Indian friend (from previously-mentioned wedding) look "too traditional". She's told me as much and I appreciate it.
- I understand that the summer during college when I had microbraids put in my hair (by an African woman, who was well-paid for the 7-8 hours it took), I may have rubbed a few people the wrong way (although nobody told me they didn't like them and I got a few compliments from people of varying ethnicity), but I got to experience the lengthy, costly, somewhat-uncomfortable process, the itching in the first week, the versatility of the style, and the camaraderie a month later as two of my girlfriends and my aunt helped me take them out (women in commune with each other), the softness of the well-conditioned hair, and the scary amount of hair that came out in the shower afterward.
- I'm not stupid enough to wear a Native American headdress, but yes, I'm interested in Native cultures and even have learned some Lakota.
- I've made blunders in all these cultures and more. I lived in South America for a semester, have worked with international students. Snaffus are bound to come up within multicultural interactions. But at least I try. I am a Global Citizen and want to nurture goodwill across man-made country divides.
I re-read my 3 issues of Legend of Bold Riley, 1 issue of Niobe:She is Life and Reader X's blog post this morning before sitting down to write this. (Medicine I'm on for an illness made me get up for the bathroom every 2-3 hours and I couldn't fall back asleep for an hour, so got up at 4 am with MN as he got up for work).
- I conclude that the correlation of skin color and sexuality of the writer and their characters do not guarantee a well-written, relatable story.
- I conclude that Reader X is allowed to have opinions with which I don't agree about who is "allowed" to tell what stories. Her opinions are based on life experiences I don't have, but that doesn't mean she isn't free of bias. Or that I am either.
- I conclude that even as a straight, white woman, I want to see more stories about non-white, non-straight people and will do my best through my own writing to bring it about, whether or not it makes others irritated. If I am a truly great writer, I should be able to write about people that aren't me on a surface level. Writing is supposed to connect us to something more than skin deep.
- I conclude that brooding over a year is a silly thing to do. I could have approached Reader X and told her my reactions. She could have also shared her thoughts with me BEFORE writing up a blog about it, but chose otherwise.
- I conclude that the phrase "well-intentioned friend" is hurtful and dismissive to me, even if that was not Reader X's intent. A few years ago, Reader X and I shared scripts for feedback. She sent me a script that is now getting published in novel form, so good for her. The feedback she gave me on my script is taken with a grain of salt, especially after I later read her supposed-position on who is allowed to write what characters. Just because she has her own experiences of gay life does not make her an authority, which I naïvely wanted to believe at the time I had her read my script. I respected her opinion and openly accepted the feedback, and have had time to reconsider it as well. I still respect her opinion and value her experiences, but I have to be true to my own life too.
- If Reader X reads this, she is allowed to contact me for a pleasant discussion. I like to keep the drama within my stories and out of my daily life, which probably explains why it's been over a year before I wrote out my reactions. (I had just moved to a new town, got a new job, and didn't need to focus on something that upset me and wasn't really a big deal in the scheme of things.) Reader X doesn't have to contact me. Hell, it might be even a year before she does. ;) I sometimes worry about being too diplomatic and not making waves. With enough time in between the event, it was still on my mind, so here's MY blog entry (which probably no one will read). I figure Reader X has had enough on her plate with her own creative pursuits or maybe she had no clue what my silence meant, if she even noticed. I'm still learning to balance discussing differing opinions without assuming it will lead to confrontation.
If you have any comments for future blog entries on certain comics, please let me know!
So... without further ado, I hit 'publish' and send this out into the world, hoping for the best. #ReadOn #WriteOn